Located in a quiet area by the Spree and comfortably reachable via public transport, the recording studio, shared with fellow sound engineer Francesco De Dominicis, is a good balance between analog and digital hardware, aiming at taking the best from both worlds.
Thanks to the 2022 studio expansion, the recording studio is now a facility of about 90 square meters, divided in 4 rooms. The main control room is connected to the two live rooms, where the musicians can play all together. The fourth room is an additional producer/editing room where following stages of the production work can be carried out. All rooms are acoustically treated to minimise unwanted noises from outside and to optimise the rooms acoustics.
At the center of the control room sits an amazing Audient ASP4816 analog in-line mixing console, connected through some beautiful, military-grade Bittree studio patch-bays and other esoteric professional cabling/stage boxes from Mogami, custom made for us at Pro Audio L.A. All the gear, and the mixer, is housed inside a super ergonomic black desk from BusoAudio and in a rolling rack underneath.
Thanks to these enhancements, we can acquire up to 32 audio channels using all-analog paths from both the desk and our external preamps (Universal Audio, Solid State Logic and Focusrite) through state-of-the-art Antelope Orion converters, and mix up to 48 analog channels (using desk, outboard eq, processing), infinite tracks in the digital domain, or choose an hybrid approach. All this flexibility means that we are able to offer different options and workflows, depending on the project’s needs, sound preferences, timing and budget.
The editing room is equipped with RME & Focusrite converters, Focusrite Isa 828 Mic & Line preamps, Dangerous DBOX & Summing mixer, Focal Loudspeakers and other amenities.
Lastly, we also rely upon a network of other studios and are equipped to offer location recordings in churches, auditorium or private places.